Neoclassicism and Romanticism are two very different styles,
in some instances mirror opposites. Neo-classicism is a strict serious style of
art that emphasized proper proportion and realistic perspective. Meanwhile Romanticism
was less strict and focused more on emotion and drama, and the depiction of
reality was put on the back burner. So the difference really boils down to strictness
and adherence to reality versus free expression and a devil may care attitude
toward the conventions of perspective and proportion.
Neoclassicism emerged in the years leading to the French revolution,
in France. As such the movement was inspired by patriotism and virtue. Some artists
like, Jacques-Louis David, would use their works as a way of portraying how the
people should fight for freedom against the tyrannical state. As the name would
imply, the Neoclassicists were inspired by the myths, legends, and works of
Greco-Roman classicism. This inspiration would inform the allegorical subject matter
and techniques of the movement; techniques such as idealized figures and
proportions and of course adherence to proper perspective.
A painting that contains the exemplary characteristics of
neoclassical art is David’s Socrates at
the Moment of Grasping the Hemlock, which of course depicts the execution of
classical philosopher Socrates. The figures are painted with sharp defining
lines and almost nonexistent brush stokes a staple of neoclassical art. The background is fairly detailed
but is painted with dark muted colors to put emphasis on the foreground. The allegorical
political message behind David’s painting tells viewers to be brave Socrates
and to face death without fear, for it is better to die for what you believe in
than to live for nothing.
Romanticism is passionate, forgoing the allegories of the Neoclassics,
the Romantics decided to make art that was emotional and depicted what was
happening around them, but not strictly in the most realistic of ways. Romanticism
drew its inspiration from the surreal, from expressions and emotions, as such
artists were free not to restrict themselves to realism. Lines became soft,
brush strokes became harsher, and symbolism became very important. Rather than
portraying a static images, artists of prefer to paint an event as it is taking
place rather than the before or after it.
The Executions of the Third of May 1808, by
Goya exemplifies the idea of portraying events while they are taking place as
it shows a firing squad execution in action. Furthermore Goya demonstrates the
Romantic style with his use of rich colors, rough brushstrokes, and soft blurriness,
unique to the Romantic style. Goya’s very dramatic scene shows how Romantic
artists would be more expressive because of the new looser techniques used to create
dynamic and dramatic compositions.
In
conclusion, Romanticism prevailed over Neoclassicism. The people were bored of the perfection that
Neoclassicism had offered, it is flaws and imperfections that make things
interesting after all.
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